{"id":5075,"date":"2023-06-20T16:28:23","date_gmt":"2023-06-20T14:28:23","guid":{"rendered":"\/?p=5075"},"modified":"2023-09-18T09:37:12","modified_gmt":"2023-09-18T07:37:12","slug":"british-hifi-magazine-reviews-the-new-pagode-signature-mkii","status":"publish","type":"post","link":"\/en\/british-hifi-magazine-reviews-the-new-pagode-signature-mkii\/","title":{"rendered":"British HiFi+ magazine reviews the new pagode\u00b0 Signature MKII"},"content":{"rendered":"
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Effortless neutrality<\/h1>\n<\/div><\/section>
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I like the new look of finite elemente pagode Signature MKII. Its clean lines and reassuring build quality, coupled with the sort of effortless neutrality and focus it brings to high-end equipment make it one of the obvious choices for top-notch audio systems.<\/p>\n<\/div><\/section>
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Like the MKII Edition, there\u2019s a improved transient response, although this is not in the same league as the Carbon Edition, finite elemente has clearly learned a few tricks in developing that platform. There is an improved dynamic range, a lower noise floor and a more actively neutral tonal balance. Used in the right context, pagode Signature MKII has a calming influence over good audio. Not that such audio is in any way \u2018excitable\u2019 but it manages to \u2018chill out\u2019 audio components all the same. It brings a much-needed sense of calm and order to this unruly world and the best audio is all the better for the degree of naturalness.<\/p>\n<\/div><\/section><\/p><\/div>

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